Hearin' Aid was born circa 1995 when the planets converged in the third house, which is that of communication, in response to other group's weak chakras. What once started as a séance of irreverent freestylin' and unorthodox beat making, summoning the "One", (some people call it tha' Funk) turned into the def, defying recording, song writing and producing duo that you have today. Their influences comprise a gumbo of New Orleans second line rhythms, Audio Two productions, James Brown... Read more >>

Hearin' Aid was born circa 1995 when the planets converged in the third house, which is that of communication, in response to other group's weak chakras. What once started as a séance of irreverent freestylin' and unorthodox beat making, summoning the "One", (some people call it tha' Funk) turned into the def, defying recording, song writing and producing duo that you have today. Their influences comprise a gumbo of New Orleans second line rhythms, Audio Two productions, James Browns intestines, essence of Blastmaster KRS-One and various gospel seasonings. It is made manifest in their remix of Swedish songstress Linn's "Available", their own "Let Eet Ought EP" and in their explosive live performances. These performances have been witnessed by mortals at such events as the MTV X-treme Games, Berns Fusion Festival, Nefertiti Club, Lollipop/Fanclub and Hultsfred Festivals. Hearin' Aids black art of music production has been boldly exposed by the Jugglin' etiquette who signed the conjure man and the beat cannibal in 2004, when the planets converged in the seventh house, err...which is that of marriage! The most respected voice on all things black music in Sweden, radio journalist Mats Nileskär rightly dubbed Hearin' Aid "the leaders of left field hip-hop." Put on your Hearin' Aid, its cheaper than getting yer ears flushed!